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Events Private In-Person Exhibition Tour · Art Deco: Commercializing the Avant-Garde at Poster House, NYC
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Private In-Person Exhibition Tour · Art Deco: Commercializing the Avant-Garde at Poster House, NYC

$20.00
Sold Out

Monday, November 13
6 pm
Location: Poster House, 119 W 23rd St, New York, NY 10011 (map here)

Please note: tickets are only available in advance and will not be for sale on site on the night of the event

Join us for a very special private tour of one of Morbid Anatomy’s favorite New York cultural institutions, Poster House. Together, we’ll explore their new exhibition, Art Deco: Commercializing the Avant-Garde.

The term Art Deco did not exist until the 1960s. Prior to that, the bold, geometric machine-focused style now collectively packaged within that genre was known by many names and represented a variety of regional versions of Modernism.

This exhibition chronicles the rise and fall of what would come to be known as Art Deco, starting with the 1925 Paris Exhibition where various factions of the European avant-garde were distilled through commercial endeavors to become the visual language of capitalism, and ending as Deco graphics became more nationalistic in the lead up to World War II.

This exhibition features over 50 posters by enduring masters of graphic design, including A.M. Cassandre, Charles Loupot, Marcello Nizzoli, Jean Dupas, Herbert Matter, Jean Carlu, Paul Colin, René Vincent, Edward McKnight Kauffer, Austin Cooper, Pierre Fix-Masseau, and Joseph Binder.

Add To Cart

Monday, November 13
6 pm
Location: Poster House, 119 W 23rd St, New York, NY 10011 (map here)

Please note: tickets are only available in advance and will not be for sale on site on the night of the event

Join us for a very special private tour of one of Morbid Anatomy’s favorite New York cultural institutions, Poster House. Together, we’ll explore their new exhibition, Art Deco: Commercializing the Avant-Garde.

The term Art Deco did not exist until the 1960s. Prior to that, the bold, geometric machine-focused style now collectively packaged within that genre was known by many names and represented a variety of regional versions of Modernism.

This exhibition chronicles the rise and fall of what would come to be known as Art Deco, starting with the 1925 Paris Exhibition where various factions of the European avant-garde were distilled through commercial endeavors to become the visual language of capitalism, and ending as Deco graphics became more nationalistic in the lead up to World War II.

This exhibition features over 50 posters by enduring masters of graphic design, including A.M. Cassandre, Charles Loupot, Marcello Nizzoli, Jean Dupas, Herbert Matter, Jean Carlu, Paul Colin, René Vincent, Edward McKnight Kauffer, Austin Cooper, Pierre Fix-Masseau, and Joseph Binder.

Monday, November 13
6 pm
Location: Poster House, 119 W 23rd St, New York, NY 10011 (map here)

Please note: tickets are only available in advance and will not be for sale on site on the night of the event

Join us for a very special private tour of one of Morbid Anatomy’s favorite New York cultural institutions, Poster House. Together, we’ll explore their new exhibition, Art Deco: Commercializing the Avant-Garde.

The term Art Deco did not exist until the 1960s. Prior to that, the bold, geometric machine-focused style now collectively packaged within that genre was known by many names and represented a variety of regional versions of Modernism.

This exhibition chronicles the rise and fall of what would come to be known as Art Deco, starting with the 1925 Paris Exhibition where various factions of the European avant-garde were distilled through commercial endeavors to become the visual language of capitalism, and ending as Deco graphics became more nationalistic in the lead up to World War II.

This exhibition features over 50 posters by enduring masters of graphic design, including A.M. Cassandre, Charles Loupot, Marcello Nizzoli, Jean Dupas, Herbert Matter, Jean Carlu, Paul Colin, René Vincent, Edward McKnight Kauffer, Austin Cooper, Pierre Fix-Masseau, and Joseph Binder.

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