SIGNED Maske, by Photographer Phyllis Galembo
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For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events—traditional African ceremonies and contemporary costume parties and carnivals—who use costume, body paint and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning to wear a mask, this album features a selection of more than 100 of the best of Galembo's masquerade photographs to date, organized in country-based chapters, each with her own commentary. Now back in print by popular demand, the book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the 21st century.
Photographer Phyllis Galembo received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. Her photographs of ritual masks in Africa, the Diaspora and beyond have been the subject of several monographic publications.
Published by: Aperture; Illustrated edition (March 22, 2016)
Language: English
Hardcover: 208 pages
Dimensions : 9.25 x 0.9 x 9.5 inches
This item is eligible for international shipping. Learn more and get a quote here.
For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events—traditional African ceremonies and contemporary costume parties and carnivals—who use costume, body paint and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning to wear a mask, this album features a selection of more than 100 of the best of Galembo's masquerade photographs to date, organized in country-based chapters, each with her own commentary. Now back in print by popular demand, the book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the 21st century.
Photographer Phyllis Galembo received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. Her photographs of ritual masks in Africa, the Diaspora and beyond have been the subject of several monographic publications.
Published by: Aperture; Illustrated edition (March 22, 2016)
Language: English
Hardcover: 208 pages
Dimensions : 9.25 x 0.9 x 9.5 inches
This item is eligible for international shipping. Learn more and get a quote here.
For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events—traditional African ceremonies and contemporary costume parties and carnivals—who use costume, body paint and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning to wear a mask, this album features a selection of more than 100 of the best of Galembo's masquerade photographs to date, organized in country-based chapters, each with her own commentary. Now back in print by popular demand, the book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the 21st century.
Photographer Phyllis Galembo received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. Her photographs of ritual masks in Africa, the Diaspora and beyond have been the subject of several monographic publications.
Published by: Aperture; Illustrated edition (March 22, 2016)
Language: English
Hardcover: 208 pages
Dimensions : 9.25 x 0.9 x 9.5 inches