Time: 7 pm EST
Admission: $8 - Tickets HERE
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America is haunted. Ghosts from its violent history are an inescapable and unsettled part of our consciousness and national landscape. Not merely the realm of metaphor but present and tangible, urgently calling for contact, these otherworldly visitors have been central to our culture. Through times of mourning and trauma, artists have been integral to visualizing ghosts, whether national or personal, and in doing so have embraced the uncanny and the inexplicable.
In this illustrated lecture, Robert Cozzolino—curator of Supernatural America, the first major exhibition to assess the spectral in American art—will explore the numerous ways American artists have made sense of their own experiences of the paranormal and the supernatural, developing a rich visual culture of the intangible.
Robert Cozzolino is Patrick and Aimee Butler Curator of Paintings at the Minneapolis Institute of Art. Some have called him the “curator of the dispossessed” for championing underrepresented artists and uncommon perspectives on well-known figures. He has curated over sixty exhibitions, including Supernatural America: The Paranormal in American Art, World War I and American Art, Peter Blume: Nature and Metamorphosis, David Lynch: The Unified Field, and The Female Gaze: Women Artists Making Their World. His writing appears in a wide range of publications, including essays on artists such as Harriet Bart, Jim Denomie, Sylvia Fein, Henry Koerner, George Morrison, Elizabeth Osborne, Faith Ringgold, Peter Saul, Honoré Sharrer, Henry Ossawa Tanner, Bob Thompson, George Tooker, Ray Yoshida, Dyani White Hawk, and John Wilde. Originally trained as a musician, he has played free-improvised music as a percussionist since 1993.